Devery Jacobs Has “Strong Feelings” About ‘Killers Of The Flower Moon’ & Says Film “Dehumanizes People” – Deadline | Devery Jacobs Shares Concerns About Martin Scorsese’s Killers of the Flower Moon Portrayal


Devery Jacobs Expresses Concern over Martin Scorsese’s “Killers of the Flower Moon” Portrayal

In a recent social media thread on the platform formerly known as Twitter, Devery Jacobs shared her strong feelings about the impact and possible dehumanization depicted in Martin Scorsese’s upcoming film “Killers of the Flower Moon.”

Devery Jacobs, a well-known figure in the film industry, has had the opportunity to watch an early cut of the highly anticipated movie. In her online statement, she expressed her concerns about how the film may dehumanize certain individuals. While she refrained from providing specific details to avoid spoilers, her comments sparked significant discussion among fans and fellow industry professionals.

Jacobs’ involvement in promoting Indigenous representation in the media industry has made her opinion on the matter even more significant. As an Indigenous actress herself, she has been an advocate for authentic and respectful portrayals of Indigenous cultures and individuals. This has led many to pay close attention to her thoughts on Scorsese’s latest project.

“Killers of the Flower Moon” is based on David Grann’s best-selling non-fiction book of the same name, which explores the shocking true events surrounding the Osage Indian Nation murders in the early 1920s. With a star-studded cast including Leonardo DiCaprio and Robert De Niro, the film has generated high expectations and buzz within the industry.

Given the sensitive nature of the subject matter and its historical context, it is imperative that the portrayal of Indigenous characters in the film is respectful and accurate. Jacobs’ comments have ignited a discussion about whether the film successfully accomplishes this goal or, conversely, perpetuates harmful stereotypes.

While the specific grievances raised by Jacobs remain undisclosed, it is clear that she feels strongly about the issue at hand. Her concerns highlight the ongoing importance of representation and the responsibility of filmmakers to approach such narratives with care and sensitivity.

As the release of “Killers of the Flower Moon” nears, it will be fascinating to see how Jacobs’ comments influence public perception and whether the film ultimately addresses the issues she has raised. In the meantime, the conversation initiated by Jacobs reminds us of the significance of respectful and inclusive storytelling in the film industry.

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